Unlike so much contemporary art, offering moralising social commentary from a safe distance, Rakowitz leverages his artistic practice to probe uncomfortable questions and incite change. . . ‘I make work at the intersection of problem solving and trouble making,’ he says lightly. These inflated, amorphous miniature homes served not only to shield their incumbents from the elements – but to draw attention from passers-by, and on occasion, the cops. In this complex process of simultaneously solving and problematising, Rakowitz isn’t afraid to get his hands dirty.
Read MoreIn this essay, Anthony Waichulis, a celebrated Trompe L’Oeil painter and co-founder of Ani Art Academies, answers a question often put to him by his students, ‘How do you get your paintings to look so realistic?’ He answers with a question of his own: ‘What does realistic look like?’
Read MoreWe’re entitled to twenty-eight days of it a year. More, once we’re retired. Who doesn’t want to ‘recharge the batteries’ or get some ‘rest and relaxation’ before the long slog of work (the other two-hundred-and-sixty-one working days of the year) begin again? Kapezanou, who won the Clyde and Co., Emerging Star Award in 2017, paints people worshipping the deities of Sun, Sand, and Sea. For they’re the new ‘holy’ trinity of the ‘holiday’
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